Chie Ikeya
Volume 10 (PDF full article)
"The 'Traditional' High Status of
Women in Burma: A Historical
Reconsideration" pp.51-81

This article traces the genealogy of a persistent cultural stereotype that has long defined and constituted academic and popular knowledge about Burma and, more broadly, Southeast Asia: the “traditional” high status of women. Although Southeast Asia scholars today generally concur that claims about the high status of women in the region are oversimplified and problematic, postcolonial scholars of Burma largely have perpetuated the discourse of gender equality, which has deterred any attempt to complicate conceptualizations of gender relations and hierarchies in historical Burma.

This study investigates the process whereby the “traditional” autonomy of Burmese women was constructed in opposition to the likewise “traditional” subordinate status of women in South Asia and in contestation of the superiority of European culture and society. It argues that this “tradition” is a product of the multivalent representational practice by colonizing and colonized women and men in unequal relations of power who coauthored essentially and powerfully gendered discourses of colonialism, modernization, and nationalism. This article concludes by suggesting possible ways to move beyond the practice of enshrining persistent and monolithic cultural stereotypes as essential components of Southeast Asian history and to engender scholarship of the region firmly located within, not isolated from, specific and complex historical contexts.

Helen James
Volume 5 (PDF full article)
"
The Fall of Ayutthaya: A
Reassessment" pp.75-108

Conventional views of the 1760–1767 Burmese attacks on Ayutthaya contend that the Burmese were taking advantage of an opportunity to attack a politically and economically weak kingdom. This article adduces evidence from the Burmese chronicles, from accounts by contemporary foreign observers, and from economic history to argue that Burma’s campaigns against Ayutthaya were part of an epic struggle between the two polities that began in the 1500s and continued until the Anglo-Burmese War of 1824–1826. Control of trade was one of the central factors motivating this centuries-long conflict. It was the very strength and wealth of the Siamese kingdom, not its alleged weakness, that motivated the Burmese invaders, who hoped to strike a blow that would knock Ayutthaya out of contention as the trading hub of mainland Southeast Asia.

Volume 7 (PDF full article)
"Adoniram Judson and the Creation
of a Missionary Discourse
in Pre-Colonial Burma" pp.1-28

In the following paper I argue that Adoniram Judson, the first American Baptist Missionary to Burma, was strongly empathetic with his adopted country. His work as interpreter-translator during the negotiations leading to the Treaty of Yandabo in 1826 and his visits to Ava both immediately before and after the First Anglo-Burmese War (1824-1826), although coached in the language of Christian mission, exhibited characteristics markedly different from the perspective of Ann Judson’s memoir and from those of certain missionary narratives subsequent to his own. I propose to examine aspects of three texts:  Ann Judson’s An Account of the American Baptist Mission to the Burman Empire; Henry Gouger’s Personal Narrative of Two Years Imprisonment in Burmah; and Adoniram Judson’s deposition to John Crawfurd. I shall also refer to J. Snodgrass’ Narrative of the Burmese War (1824-1826) and Henry Trant’s Two Years in Ava for other perspectives of some events. 

Yin Ker
Volume 10 (PDF full article) (Color Illustrations)
"Modern Burmese Painting According
to Bagyi Aung Soe"
pp.83-157

Rangoon-based artist Bagyi Aung Soe (1924–1990) has been regarded by fellow artists as a pioneer of modern art in Burma. Influenced by precepts practiced at Rabindranath Tagore’s Śāntiniketan, he elaborated an original painting approach and style synthesizing diverse artistic approaches, which neither adhered exclusively to the European or Burmese artistic tradition nor regurgitated twentieth-century Western artistic innovations. Despite his renown within Burma, his idiom remains little understood both within and beyond Burma because of a lack of awareness of his motivations and their context. This article attempts to elucidate Bagyi Aung Soe’s interpretation of modernity in Burmese painting, and with reference to his works and writings, examine the modernity of his art.

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